Tiger Zinda Hai: Feminine, fierce and fatal, Katrina’s Zoya is the real deal in the movie
I never thought a day would come when I would be sitting back to write a whole blog dedicated to Katrina Kaif‘s acting prowess, which has been painfully limited. Even after numerous accolades, including the coveted Smita Patil award, Katrina’s acting skills have so far been negligible, except for a few roles where she managed to hold her niche.
Looks like that is going to change. Here I am, already in awe of her, and that opinion has been changed because of one movie.
Not much of a Salman fan, I went to watch his latest offering ‘Tiger Zinda Hai’, just to catch the quintessential ‘Bhai’ elements and cheer along, with my friends and the other fans present in the vicinity. But something which I had not anticipated happened instead. After the movie, what I took away with me was the performance of Katrina Kaif as Zoya, someone who I had considered nothing more than hero’s arm candy in a movie full of stardom, muscle power and no logic, courtesy most of her previous cinematic outings.
Proving everyone wrong, she totally blew everyone away. And why not? After all it is really difficult to even think of taking the seat away from Salman Khan from a movie dedicated solely to his star power. But the lady managed the same smoothly. Right from the opening sequence when her inner agent comes alive in a grocery store to the last one when she single-handedly takes on the terrorists, Katrina is a treat to watch.
How many actresses can boast of having action sequences dedicated solely to them? Further, how many can boast of pulling them off with panache? Very few. And now, we can count Katrina amongst them. If Tiger gets his own movie as a RAW agent, Katrina as Zoya the ISI agent is no less, and in no way undermined in front of Salman. In fact, many times she is shown to save their skins. Well, that’s woman empowerment, or in the words of Paresh Rawal‘s character, “Yeh khatarnaak aurat bhabhi hain?”
Oh yeah, you go woman!
We see various facets of Katrina in the movie and she manages to shine in every frame. So much so, that you look forward to her sequences. Be it the time when she is angry at her husband for having forgotten their anniversary, or when she is happy as he gives her a surprise, to the time she arrives as an agent, or even when her fierce motherly instincts come alive to save the child who had been brainwashed to kill himself and countless others, Katrina is a treat to watch.
This is not the first time we have loved a female character in a Salman Khan movie, which has the presence of Bhai to please his fans, in every sequence. Last year’s ‘Sultan’ too had Anushka Sharma as Aarfa who despite the criticism of her cliched choice of choosing motherhood over her career, stood by her stance. This was a character that made everyone stand up and notice an actress in a Salman Khan movie.
Mere words will do no justice to Katrina’s Zoya. Watch the movie and whether or not you retain the muscle action of Salman or even the heavily photoshopped shirtless body, you will come home with Zoya, the ISI agent who is as fierce as she is feminine, as loving as she is destructive. Take a bow.
And yes, after all this when you are recuperating from the mind blowing stunts she has pulled off, you get her shaking her booty like a glamorous diva, in ‘Swag Se Swagat’.
Looks like she has arrived, finally. She does have a long way to go, but it’s a start, it’s a start.
Kapoor & Sons: Caught the plight of homosexuals tenderly and yet made 'coming out' look doable
Kapoor & Sons – Since 1921. The house proudly flaunted that to the world, nestled in the greens of Coonoor. No one knew the darkness that was inside, the demons that were individually dealt with. But then, isn’t every family like that?
Two years have passed by since this Shakun Batra-directorial, story of a dysfunctional family had come to our lives. However, amongst the various themes that tore apart the family and eventually brought it together, one that truly had the power to transform, was that of homosexuality.
Not many know, that the role played by Fawad Khan, that of family’s elder son, a successful author, was actually offered to many A-listers, who turned it down, eventually leading him to step into the shoes of Rahul. And it was, indeed, a very big step on his part. He was venturing out of his territory, a man who has such a huge female-fan following, and comes from a country with religion as its main running philosophy. He did the role and brought such conviction to it that we were forced to stand up and applaud, his courage, and the beauty with which his character was carved.
Since times immemorial, all our memories of gay characters on screen have been that of carelessly effeminate and unimportant roles, which are just there to add a comic element. The stereotype has been high to an extent that often the champions of the same channelise it and promote it, for it is wrapped in the shiny paper of presentation. The biggest example of this was ‘Dostana’, which was an amazing story of friendship, still used homosexuality as humour, as its backdrop. Ironically, it came from the same production house, though nearly eight years before that.
But ‘Kapoor & Sons’ begged to differ here. The character here was real, someone who was hiding himself, for the society, his family. There was surreality to the theme of homosexuality here, which had the power to jar us inside out; and that, it did.
Two scenes from the movie specifically hit me. First one is when Sunita (Ratna Patak Shah) finds out that her ideal elder son, whom she adores and is proud of, is not straight. The aftereffects of the same jolt you, because the reaction is just what an Indian mother gives, in any situation that is beyond her control; uncontrollable anger at the offspring, and then uncontrollable guilt, of blaming herself and her upbringing. The scene is filmed so beautifully, that your eyes sting. The way Fawad’s facade falls and his fear is marked across his face, which is then replaced by the anger of hiding himself for all those years, and mother’s dilemma and hurt, it all comes out in a naked and real manner.
Another sequence is when Rahul (Fawad Khan) comes back home after the showdown with his mother and the death of his father totally uproots whatever sanity his family possessed. He sits with his mother, with whom his last encounter was one of his coming out, and she asks, hesitatingly, about his partner. A subtle way of expressing acceptance, the way they hold hands, without saying anything, it stays with you.
It may not be one masterpiece, but ‘Kapoor & Sons’ will forever remain a favourite for finally breaking the mainstream stereotype of a gay man, in Bollywood. And for that, no matter how many bans, I will forever be waiting for Fawad Khan to come back, and give us more performances; with dare and conviction.
An ode to Sridevi, the queen who inspired the queers long before it became mainstream
“I am a kid from the 90s but still can’t forget those days when, me-myself was not out and proud about my preferences. And inside my own sweet world would dance in front of the mirror on many songs, but majorly on ‘Hawa Hawai’ and ‘Main Teri Dushman, Dushman Tu Mera’. These songs were just not tunes for me, it made me feel exactly what I was; a QUEERby birth”.
The news of the legendary diva Sridevi being no more with us is still hard to believe, as she was part of my and every queer’s childhood memories. While in the late 90s my bunch of friends would idolise a star from the West as their gay icon, me being a full-fledged Bollywood fanatic was in love with Sridevi and she was a diva I used to worship (and will forever). Her golden costume and perfectly done makeup in ‘Hawa Hawai’ made me feel, “Yes! There is someone like me out there who loves bling and all things loud.” Her feather headgear in one of the songs from ‘Roop Ki Rani Choron Ka Raja’, touched my drag Queen‘s soul. One of the lines from her song ‘Hawa Hawai’ which is ‘Soorat Hi Maine Aisi Paayi’ transported me into a world where I thought that there is someone narcissist just like me. Sridevi’s charm was on my mind and the feminine side in me just wanted to be a replica of her.
The gone actress has not only given a lot to the Indian cinema, but her sass and talent of naturally moulding herself into any character gave her an upper hand in whatever she used to do. When many gay men were struggling and were confused about their sexual orientation they found a connection to their on-going pain in Sridevi’s roles. Whether it was Sridevi as a meek Anju and ferocious Manju fighting for everything wrong in ‘ChaalBaaz’ (1989), Pooja’s mutiny against the everlasting societal conditions in ‘Lamhe’ (1991), Seema’s confidence-filled and fearless dance in the ‘Mr. India’ (1987) song ‘Hawa Hawaai’ or her role of a naagin (snake) coming out to the world about her dual identity in ‘Nagina’ (1986), Sri’s roles had a deep connection and were etched in every GAY man’s mind.
And how can one miss ‘Kate Nahin Kat Te’ song of Sridevi from ‘Mr. India’, where she owned the song and made every gay guy’s dream to dance on it once with his man. This particular song was wild, seductive and equal parts bold. Sridevi draped in a sky-blue coloured saree with a matching bindi and of course adding fuel to the fire was her dancing moves. Even at the end of the song, a fully wet in rainwater, Sridevi stretching herself on a pile of hay – ‘Tumne jo li angdayi hai’ – where the diva nibbles on straws with a drenched fire in her eyes, leaving Mr. Kapoor to chivalrously lie on a distant haystack.
While mostly when the film fraternity was in a zone where feminine men were used as a tool to add fun elements on the silver screen, Sridevi was a ray of hope for the LGBTQ community. She was like a powerful symbol for the QUEERS. Her role resonated each and every gays struggle, and also echoed their dysphoria into her characters. And with her, all the queer children surpassed the narrow-minded stereotypes which they were labelled with. Lastly, she might be gone, but the colourful rainbow universe she opened for all the fellow LGBTQ people remains there intact..
Hail the QUEEN! RIP Sridevi.