Directed by Len Wiseman, Ballerina tells the gripping story of Eve Macarro (Ana de Armas), a highly skilled assassin on a relentless quest for vengeance against those who destroyed her family. Set between John Wick: Chapter 3 – Parabellum and John Wick: Chapter 4, this latest instalment delivers the franchise’s signature hard-hitting action, immersive world-building, and jaw-dropping stunts.
Ana de Armas Performed Intense Fight Sequence In Ballerina By Herself
When Ana de Armas stepped into the John Wick universe to lead the spinoff Ballerina, she anticipated the intense fight choreography that would come with playing an assassin. Her character Eve—an assassin moulded by the Ruska Roma—is seen unleashing a flamethrower on a group of henchmen as part of her mission for revenge following her father’s murder.
Director Len Wiseman says that the sequence was “90 per cent” practical, and de Armas performed most of the stunts herself. This meant she had to actually operate a flamethrower on set and (safely) set a stunt performer ablaze on camera. The first time she handled the weapon during rehearsal, she was overcome with emotion and began to cry.
Ana de Armas Recalls Her First Day With Stunt Team
“I remember the first day the stunt team was practising with the fire. And they told me to go do it before the shoot. I said, ‘No, no, no, I’ll be fine,'” de Armas shares. Luckily, the stunt team insisted she test it beforehand. “They got the main fire guy that gets burned, and he’s all covered in this sticky grease or whatever they put for protection, and they’re like, ‘Okay, go ahead. Just burn him.’ And I did, and I started crying.”
Both Wiseman and de Armas described the moment as deeply intense. “It was really emotional,” she says. “I’ve never seen anyone burning, even though it’s fake.” Once she had the initial run-through behind her, de Armas was able to film the scene without tears. “Then I was fine,” she says. “Then I burned like a hundred people. I’m glad I practised the day before, and I cried the day before. But it’s amazing to see what [the stunt performers] do — I can’t believe you guys put yourself through this. It’s unbelievable.”
Director Len Wiseman Admits Being Taken Aback By Flamethrower
Wiseman also admitted he was taken aback by the flamethrower’s sheer force, even in a tightly controlled stunt environment. “I had never actually shot a flamethrower in my life before,” he says. “It was just horrifying, actually lighting somebody on fire with a flamethrower, even though they’re acting. And it was a long sequence. It was very, very brutal.”
While de Armas underwent extensive weapons training ahead of production, learning to control fire proved to be a very different challenge. In addition to the inherent risks, she found the unpredictable movement of the flames both surprising and unsettling.
With PVRINOX Pictures doubling down on its commitment to the Indian audience, Ballerina will roll out in an extensive theatrical release across multiple languages. This ensures fans across the country can experience the spectacle in English, Hindi, Tamil, and Telugu. As Ballerina gears up to bring its explosive action to Indian theatres, the excitement is just getting started. Ballerina will deliver an adrenaline-charged, big-screen experience that will leave fans on the edge of their seats.
Also Read: Ballerina: Ana De Armas Is All Set To Face Keanu Reeves In John Wick Spinoff

Akankshya Mukherjee is a dynamic and ambitious individual poised to make waves in the realm of Media and Communication. With a passion for creativity and a drive to contribute to forward-thinking organizations, Akankshya embodies adaptability and a hunger for learning. Having already garnered experience through involvement in various organizations, she has honed the skill of quickly adapting to new environments and challenges. She sees each opportunity as a chance for personal and professional growth, eagerly embracing roles in communications and content writing.



















