When Rani Mukerji got exchanged with another baby at the time of her birth
Rani Mukerji is an actress par excellence, with performances that remain a long time after one has left cinema halls. However, what if we told you that there was a time when she was born, which was no less thrilling than the Bollywood she is enthralling? Recently, we came across an old interview wherein Rani made a shocking revelation. What is it? Read on as we turn the pages of the past for you. (Also Read:When Aamir Khan broke the heart of his fan, Rani Mukerji)
Here’s what had happened.
Throwback Thursday: When Sanjay Dutt confessed his wish to marry Madhuri Dixit
Sanjay Dutt and Madhuri Dixit’s reunion after 20 years with Karan Johar’s ‘Kalank’ has become the hot topic of discussion. The duo were rumoured to have dated each other for some time in 1990s but both have always remained tight lipped about it.
The onscreen hit jodi is happily married to their respective spouses, Sanjay’s love for Manyata is known to all. She is like a tower of strength for him. Madhuri too is happily married to Sriram Madhav Nene.
But seems like the actor still has a soft corner for his ‘Khalnayak’ co-star. Here’s a video of Sanjay confessing how he still doesn’t mind marrying Madhuri….’IF’ given a choice. This was at the Goa Fest last year when he was asked a hypothetical question on who would he want to marry if given a choice and he quipped, “Anybody knows Maanyata Dutt? Nobody knows? But…I would like to marry Madhuri Dixit. ”
Watch the video here:
It’s not like the actor said it seriously. We know the immense love he shares with his wife. (Also Check: ‘Kalank’ the film that was to star Sridevi, goes on floor)
Kapoor & Sons: Caught the plight of homosexuals tenderly and yet made 'coming out' look doable
Kapoor & Sons – Since 1921. The house proudly flaunted that to the world, nestled in the greens of Coonoor. No one knew the darkness that was inside, the demons that were individually dealt with. But then, isn’t every family like that?
Two years have passed by since this Shakun Batra-directorial, story of a dysfunctional family had come to our lives. However, amongst the various themes that tore apart the family and eventually brought it together, one that truly had the power to transform, was that of homosexuality.
Not many know, that the role played by Fawad Khan, that of family’s elder son, a successful author, was actually offered to many A-listers, who turned it down, eventually leading him to step into the shoes of Rahul. And it was, indeed, a very big step on his part. He was venturing out of his territory, a man who has such a huge female-fan following, and comes from a country with religion as its main running philosophy. He did the role and brought such conviction to it that we were forced to stand up and applaud, his courage, and the beauty with which his character was carved.
Since times immemorial, all our memories of gay characters on screen have been that of carelessly effeminate and unimportant roles, which are just there to add a comic element. The stereotype has been high to an extent that often the champions of the same channelise it and promote it, for it is wrapped in the shiny paper of presentation. The biggest example of this was ‘Dostana’, which was an amazing story of friendship, still used homosexuality as humour, as its backdrop. Ironically, it came from the same production house, though nearly eight years before that.
But ‘Kapoor & Sons’ begged to differ here. The character here was real, someone who was hiding himself, for the society, his family. There was surreality to the theme of homosexuality here, which had the power to jar us inside out; and that, it did.
Two scenes from the movie specifically hit me. First one is when Sunita (Ratna Patak Shah) finds out that her ideal elder son, whom she adores and is proud of, is not straight. The aftereffects of the same jolt you, because the reaction is just what an Indian mother gives, in any situation that is beyond her control; uncontrollable anger at the offspring, and then uncontrollable guilt, of blaming herself and her upbringing. The scene is filmed so beautifully, that your eyes sting. The way Fawad’s facade falls and his fear is marked across his face, which is then replaced by the anger of hiding himself for all those years, and mother’s dilemma and hurt, it all comes out in a naked and real manner.
Another sequence is when Rahul (Fawad Khan) comes back home after the showdown with his mother and the death of his father totally uproots whatever sanity his family possessed. He sits with his mother, with whom his last encounter was one of his coming out, and she asks, hesitatingly, about his partner. A subtle way of expressing acceptance, the way they hold hands, without saying anything, it stays with you.
It may not be one masterpiece, but ‘Kapoor & Sons’ will forever remain a favourite for finally breaking the mainstream stereotype of a gay man, in Bollywood. And for that, no matter how many bans, I will forever be waiting for Fawad Khan to come back, and give us more performances; with dare and conviction.